In a digital-dominated world, screenprinting remains a timeless craft. This process uses multiple screens coated with photosensitive emulsion to apply various colours. This guide covers essential screenprinting techniques, key dos and don’ts, and expert tips for success.
+ Read More
|
Achieving good colour and a spot colour’s reliability and consistency is easier than many people think. That said, there are various practical measures one can take that will affect the bottom line directly.
+ Read More
|
The NHL has grown to 31 teams (32 by 2021), each of which is filling their boards with corporate logos and ads which speak to those in the stands, as well as the television audience. Although, it may not seem like much, but it adds up to a lot of wide-format printing.
+ Read More
|
Colour science companies X-Rite and Pantone have won the If Design Award for the second consecutive year, this time for the Virtual Light Booth (VLB), part of their Total Appearance Capture (TAC) system.
+ Read More
|
Wide-format colour management tool developers X-Rite and Pantone have appointed Ondrej Kruk president. He will lead the continued expansion of their product portfolio beyond colour to material appearance.
+ Read More
|
Until the 1950s, there were no real industry standards for the colours of inks used in commercial printing. The Pantone Matching System (PMS) was established because, at the time, each manufacturer of inks followed its own standards and did not share them with their competitors, which became the source of much frustration.
+ Read More
|
X-Rite and its subsidiary Pantone donated their i1 calibration and International Color Consortium (ICC) profiling systems to the International Digital Enterprise Alliance (IDEAlliance) for use in G7 master and process control master qualification programs.
+ Read More
|
|
|